Bibliography

A Working Bibliography for Tang Music Studies: English, Chinese, and Japanese



This is a working list of scholarship on or about the musical culture of the Tang and in some cases, pre-Tang. Please let me know if you come across any related works that are not listed here! 




Primary Sources:

Anthologies, compilations, compendia, and historiographies.



Dong, Gao 董誥 et al. Ed. Quan Tangwen 全唐文. Shanghai: Shanghai guji chubanshe, 1995.

Du, You 杜佑Tongdian  通典. Beijing: Beijing tushuguan chubashe, 2006.

Guo, Maoqian 郭茂倩 ed. Yuefu shiji  樂府詩集. Shanghai: Shanghai guji chubanshe, 1998.

Ji, Liankang 吉聯抗 ed. Sui Tang wudai yinyue shiliao 隋唐五代音樂史料. Shanghai: Shanghai wenyi chubanshe, 1981.

Li, Fang 李昉 ed. Wenyuan yinghua 文苑英華. Beijing: Beijing tushuguan chubanshe, 2006.

Li Lingfu 李林甫 et al. Ed. Tang liudian 唐六典. Beijing: Beijing tushuguan chubanshe, 2006.

Liu, Xu 劉昫 et al. Ed. Jiu Tangshu 舊唐書. Shanghai: Hanyu dacidian chubanshe, 2004.

Ouyang Xiu 歐陽修 et al. Ed. Xin Tangshu yiwenzhi 新唐書藝文志. Beijing: Qinghua daxue chubanshe, 2013.

Rui, Tingzhang 芮挺章 ed. Guoxiu ji 國秀集. Taipei: Taiwan shangwu yinshuguan, 1983.

Zhongguo wudao yishu yanjiuhui 中國舞蹈藝朮研究會 ed. Quan Tang shi zhong de yuewu ziliao 全唐詩中的樂舞資料. Beijing: Renmin yinyue chubanshe, 1981.


Anecdotal collections and miscellaneous sources.


Anon. Da Tang chuanzai 大唐傳載, in Lin Hong 林洪 ed. Shanjia qingshi 山家清事. Beijing: Zhonghua shuju, 1991.  

Cui, Lingqin 崔令欽Jiaofang ji 教坊記. Taipei: Taiwan shangwu yinshuguan, 1983.

Duan, Anjie段安節Yuefu zalu 樂府雜錄. Taipei: Taiwan shangwu yinshuguan, 1983.

Duan, Chengshi 段成式Youyang zazu 酉陽雜俎. Taipei: Shijie shju, 1988.

Hu, Zhenheng胡震亨Tangyin guiqian唐音癸籤. Shanghai: Shanghai guji chubanshe, 1981.

Ji, Yougong 計有功Tangshi jishi 唐詩紀事. Shanghai: Shanghai guji chubanshe, 2008.

Li, Deyu 李德裕Ci Liushi jiuwen 次柳氏舊聞. Shanghai: Shanghai shudian, 1994.

Li, Zhao李擎Tangguoshi bu 唐國史補. Taipei: Taiwan shangwu yinshuguan, 1983.

Liu, Su劉肅Da Tang xinyu 大唐新語. Beijing: Zhonghua shuju, 1984.

Nan, Zhuo 南卓Jiegu lu 羯鼓錄. Shanghai: Shanghai guji chubanshe, 1988.

Shen, Kuo 沈括Mengxi bitan 夢溪筆談. Ed. Hu Daijing 胡道靜. Shanghai: Shanghai renmin chubanshe, 2012

Wang, Renyu王仁裕Kaiyuan Tianbao yishi 開元天寶遺事 . Taipei: Taiwan shangwu yinshuguan, 1983.

Wei, Xuan韋絢Liubinke jiahua lu 劉賓客嘉話錄. Taipei: Taiwan shangwu yinshuguan, 1983.

Zhang, Gu 張固Youxian guchui  悠閒鼓吹. Taipei: Taiwan shangwu yinshuguan, 1983.

Zhang, Zhuo 張鷟Chaoye qianzai 朝野僉載. Taipei: Taiwan shangwu yinshuguan, 1983.

Zhao, Lin趙璘Yin hua lu  因話錄. Taipei: Shijie shuju, 1959.

Zheng, Chuhui鄭處誨Minghuang zalu 明皇雜錄 . Shanghai: Shangwu yinshuguan, 1959.

Zhongyang minzu xueyuan yishuxi wenyi lilunzu 中央民族學院藝術文藝理論組 ed. Mengxi bitan yinyue bufen zhushi 夢溪筆談音樂部分註釋. Beijing: Renmin yinyue chubanshe, 1979.

Zhu, Changwen 朱長文Qinshi  琴史. Taipei: Taiwan shangwu yinshuguan, 1983.


***

Secondary Sources:

Chinese scholarship on Tang music.


Cao, Zhenghua曹貞華. “Quan Tangshi zhongde boxian yueqi yanjiu” 全唐詩中的撥弦樂器研究 . M.A. thesis, Dongbei Normal University, 2006.

Chang, Feng-Ling張鳳玲. “Tangdai pipashi yanjiu” 唐代琵琶詩研究. M.A. thesis, Feng Chia University, 2010.

Chang, Yao-tzu張窈慈.  “Tang shengshi  jiqi yuepu yanjiu” 唐聲詩及其樂譜研究. Ph.D. dissertation, National Sun Yat-sen University, 2011.

Guan, Yewei關也維Tangdai yinyueshi 唐代音樂史. Beijing: Zhongyang minzu daxue chubanshe, 2006.

He, Chunhuan 何春環Tang Song suci yanjiu 唐宋俗詞研究. Beijing: Zhongyang minzu daxue chubanshe, 2010.

Li, Xiangting 李祥霆. “Lun Tangdai guqin yanzou meixue jiqi yinyue sixiang” 論唐代古琴演奏美學及其音樂思想Zhongyang yinyue xueyuan yuebao 3, 4 (1995)

Liu, Yuanxin劉媛歆. “Tangdai muzhiming zhongde yinyue shiliao yanjiu” 唐代墓誌銘中的音樂史料研究 . M.A. thesis, Chinese National Academy of Arts, 2013.

Liu, Yuezhu劉月珠Tangren yinyueshi yanjiu: yi konghou pipa dijia weizhu唐人音樂詩研究以箜篌琵琶笛笳爲主. Tapiei: Xiuwei zixun keji gufen youxian gongsi, 2007.


Ma, Dezhi 馬得志. Tangdai Chang’an gongting shihua 唐代長安宮廷史話. Beijing: Xinhua chubanshe, 1994. 

Mao, Shuiqing 毛水清Tangdai yueren kaoshu 唐代樂人考述. Beijing: Dongfang chubanshe, 2007.

Ou, Chunchun 歐純純Tangdai tangshi zhi fengmao 唐代唐詩之風貌. Taipei: Wenjin chubanshe, 2000.

Ren, Bantang任半塘Tang shengshi 唐聲詩. Shanghai: Shanghai guji chubanshe, 1982.

Shen, Dong 沈東Tangdai yuewu xinlun 唐代樂舞新論 . Beijing: Beijing daxue chubanshe, 2004.

Sun, Xiaohui孫曉煇. “Liang Tangshu yuezhi yanjiu” 兩唐書樂志研究. Ph.D. dissertation, Shanghai Music Conservatory, 2005.

Wang, Hongjun王洪軍. “Zhonglu yanjiu” 鈡律研究 . Ph.D. dissertation, Shanghai Music Conservatory, 2007.

Wang, Kunwu王昆吾Sui Tang wudai yanyue zayan geci yanjiu 隋唐五代燕乐杂言歌辞研究. Shanghai: Zhonghua shuju, 1996.

Wang, Weizhen王維真Han Tang daqu yanjiu 漢唐大曲研究 . Taipei: Wenyi chubanshe, 1988.

Xu, Yuanyong 徐元勇. “Tangdai biji xiaoshuo zhongde yinyue shiliao” 唐代筆記小説中的音樂史料.Yinyue tansuo 音樂探索, vol. 4 (2011)

Wu, Xiangzhou 吳相洲Tangdai geshi yu shige: lun geshi chuanchang zai Tangshi chuangzuo zhongde diwei he zuoyong 唐代歌詩與詩歌論歌詩傳唱在唐詩創作中的地位和作用. Beijing: Beijing daxue chubanshe, 2000.

Yang, Guolin 楊果霖Xin jiu Tangshu yiwenzhi yanjiu 新舊唐書藝文志研究. Taipei: Huamulan wenhua gongzuofang, 2005.

Yang, Minwei楊旻瑋Tangdai yinyue wenhua zhi yanjiu 唐代音樂文化之研究 . Taipei: Wenshizhe chubanshe, 1994.

Zhao, Xiaohua 趙小華Chushengtang liyue wenhua yu wenshi wenxue guanxi yanjiu 初盛唐禮樂文化與文士、文學關係研究. Guangzhou: Guangdong renmin chubanshe, 2011.

Zhou, Hongling周虹伶. “Tangdai guqinshi yanjiu” 唐代古琴詩研究 . Ph.D. dissertation, Fu Jen Catholic University, 2001.

Zhou, Xiaolian周曉蓮 . Zhong Tang yuewushi yanjiu 中唐樂舞詩研究. Taipei: Huamulan wenhua chubanshe, 2008.


***

Chinese Dunhuang Scores Studies

Chen, Yingshi 陳應時Dunhuang yuepu jieyi bianzheng  敦煌樂譜解譯辯證. Shanghai: Shanghai yinyue xueyuan chubanshe, 2005.

“A Report on Chinese Research into the Dunhuang Music Manuscripts.” Trans. Coraline Rockwell. Musica Asiatica vol.6, pp. 61-72. Cambridge University Press, 1991

Hayashi, Kenzo林謙三Dunhuang pipapu de jiedu yanjiu 敦煌琵琶譜的解讀研究, trans. Pan Huaisu潘懷素. Shanghai: Shanghai yinyue chubanshe, 1957.

Rao, Zongyi 饒宗頤, ed. Dunhuang pipapu lunwenji  敦煌琵琶譜論文集, Taipei: Xinwenfeng chuban gongsi, 1991.  

Ren Erbei 任二北Dunhuangqu chutan  敦煌曲初探. Shanghai: Shanghai wenyi lianhe chubanshe, 1954.
Ye, Dong葉棟Tangyue gupu yidu 唐樂古譜譯讀. Shanghai: Shanghai yinyue chubanshe, 2001.

Zheng, Ruzhong鄭汝中Dunhuang bihua yuewu yanjiu  敦煌壁畫樂舞研究. Gansu: Gansu jiaoyu chubanshe, 2002.

            “Dunhuang bihua yueqi fenlei kaolue” 敦煌壁畫樂器分類考略Dunhuang yanjiu 4 (1988)

                                                                
***

Chinese scholarship on general pre-modern Chinese musicology


Cai, Zhongde 蔡仲德Zhongguo yinyue meixueshi 中國音樂美學史, vol. 2. Beijing: Renmin yinyue chubanshe, 2003.

Li, Mei 李玫Zhongguo chuantong luxue 中國傳統律學. Fujian: Fujian jiaoyu chubanshe, 2008.

Li, Guotao 黎國韜Xian Qin zhi liang Song yueguan zhidu yanjiu 先秦至兩宋樂官制度研究. Guangzhou: Guangdong renmin chubanshe, 2009.

Liu, Lan 劉藍Zhongguo yinyue meixue 中國音樂美學. Taipei: Wenjin chubanshe, 2006.

Luo, Yifeng 羅藝峰 ed. Han Tang yinyue shi: shoujie guoji yantaohui lunwenji 漢唐音樂史:首屆國際研討會論文集. Beijing: Zhongyang yinyue xueyuan chubanshe, 2011.

Qiu, Qiongsun丘瓊蓀Yanyue tanwei燕樂探微. Shanghai: Shanghai guji chubanshe, 1989.

Qiu, Xieyou 邱燮友. Tangdai Minjian geyao 唐代民間歌謠. Taipei: Wunan tushu chuban, 2016

Wang, Yaohua王耀華Zhongguo chuantong yinyue yuepuxue  中國傳統音樂樂譜學. Fujian: Fujian jiaoyu chubanshe, 2006.

Yang, Yinliu楊蔭瀏Zhongguo gudai yinyue shigao  中國古代音樂史稿. Beijing: Renmin yinyue chubanshe, 1981.

Zhu, Qianzhi朱謙之Zhongguo yinyue wenxueshi 中國音樂文學史. Beijing: Beijing daxue chubanshe, 1989.

 ***

Japanese scholarship: 


Hayashi, Kenzo林謙三Zuitou engakucho kenkyaku  隋唐燕樂調研究. Trans. Guo Moruo 郭沫若. Hong Kong: Shangwu yinshuguan, 1936.

Naka, Junko中純子. Shijin to ongaku: kirokusareta Todai no oto 詩人と音楽:記録された唐代の音. Tokyo: Chisen shokan, 2008.

Shigeo, Kishibe岸邊成雄Todai ongakushi no kenkyu 唐代音樂史的研究 . Trans Liang Zaiping 梁在平. Taipei: Taiwan zhonghua shuju, 1973
 
 ***

English scholarship on Tang music, poetry, and other relevant areas:



Abramson, Marc Samuel. Ethnic Identity in Tang China. Philadelphia: University of Pennsylvania Press, 2008. 


Ashmore, Robert. “Hearing Things: Performance and Lyric Imagination in Chinese Literature of the Early Ninth Century.” Ph.D dissertation, Harvard University, 1997.

Cheung, Vincent C.K. “Daqu: the Gesamtkunstwerk of Ancient China.” Unpublished article, 1999.

Chou, Wen-Chung. “Chinese Historiography and Music: Some Observations.” The Musical Quarterly(62.2), pp. 218-240

Dahlhaus, Carl. Esthetics of Music. Trans. William Austin. Cambridge: Cambridge University Press, 1982.

De Woskin, Kenneth. A Song for One or Two: Music and the Concept of Art in Early China. Ann Arbor: Center for Chinese Studies, University of Michigan Press, 1982.

DeBlasi, Anthony. Reform in the Balance: The Defense of Literary Culture in Mid-Tang China. Albany: State University of New York, 2002. 

Egan, Ronald. “The Controversy Over Music and ‘Sadness’ and Changing Concept of the Qin in Middle Period China.” Harvard Journal of Asiatic Studies, 57.1 (1997), pp. 5-66

Feng, Linda Rui. City of Marvel and Transformation: Chang'an and Narratives of Experience in Tang Dynasty China. Honolulu: University of Hawai'i Press, 2015

Galliano, Luciana ed. Power, Beauty and Meaning: Eight Studies on Chinese Music. Venice: European Foundation for Chinese Music Research, 2001.

Gulik, Robert Hans van. The Lore of the Chinese Lute: an Essay in the Ideology of the Ch’in. Tokyo: Sophia University, 1969

Han, Kuo-Huang. “The Chinese Concept of Program Music.” Asian Music 10.1 (1978), pp. 17-38  

Jones, Stephen and Laurence Picken. “Tunes of Tang Date for the ‘Get Treasure Song’?” T’ang Studies5 (1987), pp. 33-44

Kouwenhoven, Frank. “Meaning and Structure: the Case of Chinese qin (zither) Music.” British Journal of Ethnomusicology, 10.1 (2001), pp. 39-62

Kuijken, Barthold. The Notation is Not the Music: Reflections on Early Music Practice and Performance.Bloomington: Indiana University Press, 2013.


Levis, John Hazedel. Foundations of Chinese Musical Art: Illustrated with Musical Compositions. New York: Paragon Book Reprint Corp. 1964

Lewis, Mark Edward. China's Cosmopolitan Empire: The Tang Dynasty. Belknap Press: 2012 

Liang, Ming-yueh. Music of the Billion: an Introduction to Chinese Musical Cultures. New York: Heinrichshofen, 1985

Louis, Francois. “The ‘Palace Concert’ and Tang Material Culture.” Source: Notes in the History of Art24.2 (2005), pp. 42-49

Maseda, Jose. “A Logic in Court Music of the Tang Dynasty.” Acta Musicologica 67.2 (1995), pp. 109-141

Myers, John. The Way of the Pipa: Structure and Imagery in Chinese Lute Music. Kent: Kent State University: 1992.

Nugent, Christopher. Manifest in Words, Written on Paper: Producing and Circulating Poetry in Tang Dynasty China. Cambridge: Harvard University Asia Center Press, 2010.

Owen, Stephen. The Poetry of the Early Tang. New Haven: Yale University Press, 1977.

The Great Age of Chinese Poetry: the High T’ang. New Haven: Yale University Press, 1981

The Late Tang: Chinese Poetry of the Mid-Ninth Century. Cambridge: Harvard University Press, 2006

“The Manuscript Legacy of the Tang: the Case of Literature.” Harvard Journal of Asiatic Studies67.2 (2007), pp. 295-326  

Picken, Laurence E.R. Music from the Tang Court. Vol. 1-7. Cambridge: Cambridge University Press, 2000.

            “Tang Music and Musical Instruments.” T’oung Pao 55.1 (1969), pp. 74-122

Schafer, Edward. The Golden Peaches of Samarkand: A Study of T’ang Exotics. Berkeley: University of California Press, 1963. 

Thrasher, Alan. Chinese Musical Instruments.  New York: Oxford University Press, 2001.

Twitchett, Denis. “A Note on the ‘Monograph on Music’ in Chiu T’ang shu.” Asia Major 3.1 (1990), pp. 51-62

Wang, Xiaodun et al. “Yuebu of the Tang Dynasty: Musical Transmission from the Han to Early Tang Dynasty.” Yearbook for Traditional Music 36 (2004), pp. 50-64  

Wolpert, Rembrandt et al. “’The Waves of Kokonor’: A Dance-Tune of the T’ang Dynasty.” Asian Music 5.1 (1973), pp. 3-9

Yung, Bell. “Choreographic and Kinesthetic Elements in Performance on the Chinese Seven-Stringed Zither.” Ethnomusicology 28.3 (1984),  pp. 505-517

“Historical Interdependency of Music: A Case Study of the Chinese Seven-Stringed Zither.”Journal of the American Musicological Society 40.1 (1987), pp. 82-91


“Not Notating the Notatable: Reevaluating the Guqin Notational System.” Themes and Variations: Writings on Music in Honor of Rulan Chao Pian. Cambridge: Harvard University Department of Music, 1994. 

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